I saw one of Moher‘s music videos and saved the album, but Philip Brett encouraged me to make time to listen to this album. Kaleidoscope is an album that couldn’t be made purely in South Korea. Minkyu Jo went to Ireland and returned with a style that’s never been properly introduced in South Korea. e_so‘s Jeju origins also offer a different quality than the usual sounds from Seoul.
Together as Moher, the duo presents a style that international listeners might have some familiarity with, but I don’t think the Irish bouzouki is an instrument many know by name. They may recognize the look or sound, but the instrument is a rare feature. The album is a mixture of different indie rock angles. It highlights both Minkyu and e_so on the vocals and the communication between the Irish bouzouki and acoustic guitar.
The front half of Kaleidoscope has more expansive tracks with bigger highs and lows. Moher has to make a big impression quickly because the duo presents something that’s never been heard before to the general public. 10 tracks and 42 minutes of music is a journey that reflects both musicians.
Honestly, the best way to listen to Kaleidoscope is to find a solid hour, a quiet place, and let the music wash over you. e_so and Minkyu Jo combine their talents and styles perfectly and organically. Songs like “Sand Grave,” “Kaleidoscope,” and “Dabbling” stick in your head like a lasting echo.
The track order has a deliberate journey feel to it. Like you’ve started in a busy city and have slowly walked into nature and are encompassed by all the ambient sounds. Kaleidoscope is a timeless album, created by two amazing musicians.
Moher has crafted an album that will influence future artists and show how connected the world is. And how music will continue to evolve and change through the eyes and talents of those creating it.
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Written by Chris P for Korean Indie.