Padre Tóxico & Awon have Jazzy Hip-Hop Song for Self-Empowerment
If you are into the sound of jazz infused conscious hip-hop, you have to lean…
If you are into the sound of jazz infused conscious hip-hop, you have to lean…
The Only Carnell let’s his talents shine in a live performance rap video for his…
This song is quite the debut, packing a punch with a catchy hook and accompanying…
Ottawa-based artist Phasez express “the frustrations of relationship dynamics” on the hooky pop single “Feel Okay,” lamenting “I feel like everyone is leaving me these days,” amidst an infectious convergence of chirpy guitars and bustling synth-bass. The subdued bridge — “feel undone,” — plays with enamoring qualities. Glimmering synths and twangy guitars build beautifully amidst the melodic vocal delivery, asking “why is everybody cruel?” into a soaring chorus. The pulsing, ardent percussive additions thereafter combine with rousing vocals for a spine-tingling impact. “Feel Okay” compels with its dreamy, twinkling array of hooks and synth-laden soundscapes. — This and other tracks
Epley Maneuver by Brother Language Swelling into a nostalgic ’90s rock glow, “Epley Maneuver” comes via Brother Language, a Brooklyn-based project led by Matt Bell. The track is described as “about the vertigo diagnosis of a close family member,” and represents the first single from Brother Language’s upcoming second album. A solemn acoustical pulse complements emotive vocal layers seamlessly, shifting into a warm distortion-heavy embrace. The vocal tone and heavier-rock escalation reminds fondly of Ozma and ’90s alt-rock in general. The shimmering acoustics approaching the three-minute mark also compel with a spirited charm. “Epley Maneuver” consumes with its dynamic structural